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The Charlie Rich Biography

“How a Blues Man Scores”

While Jerry Lee Lewis vented his pent-up frustrations on the piano, Charlie Rich caressed the keys with the smooth tones of jazz and R&B. Following his stint in the Air Force, Rich returned to Arkansas and tried to make a living as a farmer, while moonlighting as a supper-club pianist in Memphis. Charlie’s wife, Margaret Ann, was his biggest supporter and changed their lives completely when she took one of his home recordings to Bill Justis, a producer at Sun Studios. Bill and Sam Phillips were impressed with Rich’s talent and signed him as a songwriter and session pianist. Charlie Rich played on sessions for a host of Sun artists, and he wrote memorable songs like Johnny Cash’s “Ways of a Woman in Love” plus Jerry Lee Lewis’s “Break Up” and “I’ll Make It All Up to You.”

It wasn’t until 1958, however, that Rich recorded his own first sessions as a Sun artist. “Lonely Weekends,” cut in October 1959, was a hit that peaked just outside the pop Top-20 but is long remembered as one of the best Rockabilly recordings of the 1950s. “Who Will the Next Fool Be” was also recorded during this period with success. “Big Boss Man” showed his inner abilities for rhythms that move you. It would be another decade, however, before the world would finally realize the true greatness of this talented “Silver Fox,” when he recorded “Behind Closed Doors.” Charlie was simply one of the best piano-playing blues singers in the world, and with “The Most Beautiful Girl,” he proved that he would leave a rich legacy forever. Charlie Rich is the epitome of southern blues excellence and in the most intimate musical setting, the “Fox” gives you every emotion he possesses with his one-of-a-kind, down-deep, soulful delivery.

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Reviews and Testimonials

BOOK REVIEW – The Rockabilly Legends

They Called It Rockabilly Long Before They Called It Rock And Roll

TheRockabillyLegendsBookJust the sight of that word ‘rockabilly’ on front of this great slab of a book was enough to give me the thrill. And why, as I turned the beautifully designed and lovingly printed pages, reading the stories behind the first recordings by Elvis and Carl Perkins, I found my fingers and feet involuntarily tapping out the beat of That’s Alright Mama and Blue Suede Shoes. The room was silent. The records, fresh and new, were playing in my head.

It’s a tribute from a man whose life was changed in the 1950s to the men who changed it, focusing on the ones he knew and toured withy. During the ‘60s, Jerry Naylor filled Buddy Holly’s shoes in the Crickets. Before that, as a 15-year-old part time DJ, he remembers spinning Presley’s first 45 – and dancing around the studio screaming and yelling as it played.

It’s that enthusiasm that defines this book and, ultimately, the music (of which there is plenty on a DVD of vintage performances tucked into the back cover). In 2057 will there be hip hop festivals like the rockabilly ones that flourish today?

I doubt it. But I bet that, in 3057, out in space, there will be a teenager thrilling to Carl Perkins singing, “I’ve got my cat clothes on and my blue suede shoes…”

Douglas McPherson, CMP Book Review

Rockabilly Legends
2015-11-03T14:47:20-05:00

Douglas McPherson, CMP Book Review

They Called It Rockabilly Long Before They Called It Rock And Roll Just the sight of that word ‘rockabilly’ on front of this great slab of a book was enough to give me the thrill. And why, as I turned the beautifully designed and lovingly printed pages, reading the stories behind the first recordings by Elvis and Carl Perkins, I found my fingers and feet involuntarily tapping out the beat of That’s Alright Mama and Blue Suede Shoes. The room was silent. The records, fresh and new, were playing in my head. It’s a tribute from a man whose life was changed in the 1950s to the men who changed it, focusing on the ones he knew and toured withy. During the ‘60s, Jerry Naylor filled Buddy Holly’s shoes in the Crickets. Before that, as a 15-year-old part time DJ, he remembers spinning Presley’s first 45 – and dancing around the studio screaming and yelling as it played. It’s that enthusiasm that defines this book and, ultimately, the music (of which there is plenty on a DVD of vintage performances tucked into the back cover). In 2057 will there be hip hop festivals like the rockabilly ones that flourish today? I doubt it. But I bet that, in 3057, out in space, there will be a teenager thrilling to Carl Perkins singing, “I’ve got my cat clothes on and my blue suede shoes…”
https://rockabillylegends.com/testimonials/book-review-the-rockabilly-legends/
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