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Examining the Roots

Jerry Naylor – The Rockabilly Legends: Roots of It All – The Rockabilly Roots – Examining the Roots

Digipack_RootsThe Roots of Rockabilly began with a classic combination of African American Spirituals and Slave Songs, Delta Blues, Southern Gospel, Hillbilly Country, and Bluegrass, however, the nurturing of these roots was carefully tended by a top line pitch-man show promoter named Tillman Franks. To his credit, Franks was also a hot songwriting bass-slapping personal manager for Johnny Horton and other Country music stars of the day as well as the talent coordinator for the legendary Louisiana Hayride. It was Tillman Franks who brought two of the world’s greatest entertainers of all time, Hank Williams, Sr. and the little known Elvis Presley, to the stage of the Louisiana Hayride. It was also Tillman Franks who booked these would be legends, along with  Johnny Horton, Johnny Cash and a long list of other performers, into small town auditoriums and county fairs throughout Louisiana, Arkansas and Texas, which fueled the flames of their rocket to super stardom. I’ve said it publicly before, and I’ll say it again and again, “Without Tillman Franks, overtaking the odds and pushing and shoving us on every stage he could rent, there may not have been this genre we now call Rockabilly and Elvis Presley may not have become the King of Rock and Roll”.

However, Tillman did, Elvis did and fortunately I did what they did and have enjoyed an amazing fifty-plus years of a successful entertainment career because TILLMAN FRANKS DID!  Therefore, when you next examine the Roots of Rockabilly, please take time to dig deep into its soul, and just a few blocks from the Shreveport, Louisiana Memorial Auditorium, you will find my dear friend, Tillman Franks – the Tender of Rockabilly Music.

 

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Reviews and Testimonials

BOOK REVIEW – The Rockabilly Legends

They Called It Rockabilly Long Before They Called It Rock And Roll

TheRockabillyLegendsBookJust the sight of that word ‘rockabilly’ on front of this great slab of a book was enough to give me the thrill. And why, as I turned the beautifully designed and lovingly printed pages, reading the stories behind the first recordings by Elvis and Carl Perkins, I found my fingers and feet involuntarily tapping out the beat of That’s Alright Mama and Blue Suede Shoes. The room was silent. The records, fresh and new, were playing in my head.

It’s a tribute from a man whose life was changed in the 1950s to the men who changed it, focusing on the ones he knew and toured withy. During the ‘60s, Jerry Naylor filled Buddy Holly’s shoes in the Crickets. Before that, as a 15-year-old part time DJ, he remembers spinning Presley’s first 45 – and dancing around the studio screaming and yelling as it played.

It’s that enthusiasm that defines this book and, ultimately, the music (of which there is plenty on a DVD of vintage performances tucked into the back cover). In 2057 will there be hip hop festivals like the rockabilly ones that flourish today?

I doubt it. But I bet that, in 3057, out in space, there will be a teenager thrilling to Carl Perkins singing, “I’ve got my cat clothes on and my blue suede shoes…”

Douglas McPherson, CMP Book Review

Rockabilly Legends
2015-11-03T14:47:20-05:00

Douglas McPherson, CMP Book Review

They Called It Rockabilly Long Before They Called It Rock And Roll Just the sight of that word ‘rockabilly’ on front of this great slab of a book was enough to give me the thrill. And why, as I turned the beautifully designed and lovingly printed pages, reading the stories behind the first recordings by Elvis and Carl Perkins, I found my fingers and feet involuntarily tapping out the beat of That’s Alright Mama and Blue Suede Shoes. The room was silent. The records, fresh and new, were playing in my head. It’s a tribute from a man whose life was changed in the 1950s to the men who changed it, focusing on the ones he knew and toured withy. During the ‘60s, Jerry Naylor filled Buddy Holly’s shoes in the Crickets. Before that, as a 15-year-old part time DJ, he remembers spinning Presley’s first 45 – and dancing around the studio screaming and yelling as it played. It’s that enthusiasm that defines this book and, ultimately, the music (of which there is plenty on a DVD of vintage performances tucked into the back cover). In 2057 will there be hip hop festivals like the rockabilly ones that flourish today? I doubt it. But I bet that, in 3057, out in space, there will be a teenager thrilling to Carl Perkins singing, “I’ve got my cat clothes on and my blue suede shoes…”
https://rockabillylegends.com/testimonials/book-review-the-rockabilly-legends/
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